“The brain is locked in total darkness, of course, children, says the voice. It floats in a clear liquid inside the skull, never in the light. And yet the world it constructs in the mind is full of light. It brims with color and movement. So how, children, does the brain, which lives without a spark of light, build for us a world full of light?”
Anthony Doerr’s book creates a poignant and beautiful tapestry of the World War II, the stories of the lives of victims and the conquerors alike. It revolves around Werner Pfenning, an orphan from mining town of Zollverein, near Essen and Marie-Laure Leblanc, a blind girl living in Paris with her father. The compelling visual component of this book allows the reader to instantly connect to the white-haired Werner wrapped in the magic of science and the tall freckled Marie-Laure discovering her world in books gifted by her father.
Werner’s life is sparked by an old radio and the voice inside that tells him about the world of science. A world of light which cannot be seen with naked eye, but is all around us, reflecting from each corner. Werner and his sister Jutta find solace in this voice, for a second they feel transported out of the mines, to a world filled with light. Werner’s talents at fixing radios and his curiosity to learn the ways of science earn him a place at the Nazi boys training camp. From Frau Elena’s white flour covered hands, his friend Fredrick’s unresponsive eyes, and finally his war companion Frank Volkheimer’s meeting with Jutta show the gradual transformation of Werner from a curious science enthusiast to a disillusioned guilt-ridden soldier seeking redemption. Doerr deals with the character of Werner in the most profound way to explore the dilemma of morality versus science and the place of humanity in all of this. The haunting metaphors used by Doerr show the way grotesque glorification of Nazi Fascism brainwashed children and stole their humanity from them. Jutta remains to be the only voice of conscience that Werner could hold on to as he passed his days at the Nazi training camp for young boys.
Marie-Laure lives a life of wonderment with her father working in Muséum National d’Histoire Naturelle in Paris. There he is the locksmith and the keeper of keys. Marie- Laure’s curiosity and her excitement of exploring things draw us closer to the world of light she has made for herself. Her father, an ingenious puzzle-maker helps her navigate the streets of Paris by building her a miniature version of her neighborhood. The purity of their relationship is almost a reflection of the tranquility that livened up the streets of Paris in the Pre-Nazi times. The imagery created by Doerr with the help of Marie-Laure vividly describes the tension that erupted from the news of Nazi occupation of Paris. Her father has been entrusted with the safety of a stone popularly referred to as the Sea of Flames. Tucked away into a vault of the museum 200 years ago, the greyish blue stone with fire at its heart, is supposed to be the bearer of immortality and luck for the one who possesses it but a curse for his near and dear ones. Marie-Laure is fascinated but also wary of its powers, as she proclaims that it should be thrown in the ocean. Doerr subtly hints at the fact that power no matter how intoxicating ultimately needs to champion humanity and kindness without which it is as good as a stone in the ocean. Marie-Laure escapes Paris to Saint-Malo where she meets her great-uncle Etienne, a war veteran who still lives the horrors of the First World War. They read books together, traverse the world of Julius Verne together. Her uncle finally tells her about the radio he has concealed in his attic from where Marie’s grandfather would talk about science. The same lectures that would reach Zollverein and make Pfennings wonder about the light.
Werner ends up using his gift to aid the Nazi aim of occupying Russia. He is remorseful, but his guilt often gets disguised in the thrill science gives him. The world of radios, it seems is Werner’s only purpose, like them he has become mechanic with the eyes that now only seek the voice that reads Julius Verne’s book on the radio. The meeting of Marie-Laure and Werner is described in the most beautiful way, like a conqueror turning into an admirer and finally into a lover. Marie-Laure for Werner is a thing of beauty to be protected and admired from a distance, a simple analogy of Germany and Paris at the time of War. As she places the miniature version of her home in Werner’s hands, this gesture arouses in the reader a sense of a familiar warmth, for Werner a sense of redeeming himself and for Marie-Laure a sense of returning home.
Doerr has evoked a graphic account of World War II and the lives that were disrupted by it. War truly serves no one, it only creates a pattern of destruction. Fascism in its essence, is short-lived for it renounces the basic tenet of humanity, which is kindness. The book takes time to form itself, the reader is forced to wait patiently, but once you are drawn into the lives of these characters, it is hard to pull away. This was truly a beautiful read, one that I would not stop recommending just for the sheer simplicity of the prose and the complex web of emotions it built inside me.